19 January 2015

Cemeteries in Mulhouse, plus my new website

Yesterday I took the kids on a very rainy day to do some searching for dead relatives in cemeteries in Mulhouse.

From my research I had found that the old cemetery of Mulhouse had now become Parc Salvator, even though I thought that some of the graves remained. No, I was wrong. There were none. All the headstones had been removed, and I have no idea if all the occupants have been reinterred at the new cemetery, or whether there were some left in situ. Perhaps if I understood French I would know! So after getting to Parc Salvator and finding it a wasted trip, with the rain and all, I decided we would head home.

Of course, I got us lost on the drive home (I have a good map but I can't read it while driving, and I'm not sure of any of my kids' map reading skills), and ended up very close to the new cemetery, so I made the decision we would go after all. Serendipity!

We found a lot of family buried there, and we didn't even finish exploring before the kids' whinging got the better of my searching and we headed home.

Which brings me to the reason I wanted to see the graves: I have a new Weiss family website which I am working on. It covers my ongoing research into the Weiss family of Mulhouse, and brings all the information I have on each individual together. I hope there will be many people across the world who find the information I have put together useful. And now there are some photos of graves on the new website too!

See here for the new website: The Weiss Family of Mulhouse.

08 January 2015

Using a wildcard to search

A couple of days ago I was doing some research on Samuel Christian Frederic Baumgarten and accidentally discovered an extra child!

It turns out that Samuel Frederick Baumgarten was Samuel and Mary Baumgarten's first child - they were married on June 6, 1751, and he was born on March 4, 1752. I cannot find any record for what happened to him, but neither can I for most of his siblings, and can only assume that they died young.

But why hadn't I found him before? I'm pretty thorough with my research after all.

Spelling. The surname was spelled differently.

I've found Baumgarten transcribed as Baumgarton before, as a result of how they wrote the letter "e" in those days - which can these days be misconstrued as an "o". In this case though, it was recorded with an incorrect spelling - "Baumgerten", which could well have been transcribed as Baumgorton but amazingly wasn't! You can see the way they wrote the letter "e" below.

I found him by using a wildcard when searching for Baumgarten references. A wildcard is a symbol used to represent one or more characters. Usually the symbol used is a "?" or a "*" or a "%". On the off-chance that there might have been different spellings I used "Baum*" in my search, though usually I have used "Baumgart*" as I never expected them to get the second "a" wrong! And I accidentally discovered Samuel Frederick Baumgarten as a result.

So, if you're up against a brick wall, can I suggest you use wildcards in your searches. You never know what surprises you might uncover!

24 December 2014

A painting of Jean Gaspard Weiss

Living here in Germany, we are about an hour's drive from Mulhouse in France. The other day I took the opportunity to visit Mulhouse, and start ticking things off my family history bucket list!

First thing on the list was to visit the Musée Historique to see the painting of Jean Gaspard Weiss, my 4x great grandfather. The museum staff showed me where the painting was, as I asked about it, and then I told them that he was my great great great great grandfather, which was met with an exclamation of great surprise! They told me all about him, all stuff which I already knew of course! But it was amazing to see the painting in real life. Today when I Skyped my family back in Australia, I compared the faces of his descendants with my photo of the painting. Yes, there are similarities, even taking into account that it's not the best painting I've seen of him.

I also walked across the square to the Temple St Etienne, where Gaspard Weiss' father was a church musician. It was amazing to think of him in there, playing, over 200 years ago.

So there's plenty more for me to see and do in Mulhouse, but I'm saving those for another time. There will be plenty of opportunities.

30 November 2014

Mary Ann Wilkey and her links to Casino

Mary Ann Wilkey, who lived in Burwood, a suburb of Sydney, died in Casino, a town in Northern NSW. I had never been able to work out why she was there - it was an unlikely holiday destination for a widowed 76 year old woman, if, in fact, people actually took holidays in those days...

Last night I was searching Findmypast for information on the Wilkeys when I came across Mary Ann Wilkey's probate summary. From memory, when I tried to access this record in person at NSW State Records, it was missing, so it was good to have the details summarised.

Mary Ann's will requested that all her real estate properties (four of them) be sold after her death, and that the proceeds of the sales be distributed equally amongst her living children. She also provided some money for Ellen Wilkey (named as Helen), the widow of her son James Arthur Wilkey, and directed that the rest of her belongings be given to her youngest daughter Elizabeth Elsie. She named her son Charles and her son-in-law James Hall (husband of daughter Elizabeth Elsie) as executors of the will.

It was when I got to the section of the probate record stating that Charles and James were made executors that I made a sudden exclamation, startling my husband. It recorded that James Hall was a shopkeeper, in Casino. I'm guessing that it was very likely that Mary Ann was visiting her daughter Elizabeth Elsie in Casino when she died.

It's not the sort of information that changes much, but I'm glad I've finally solved that puzzle!

17 November 2014

Adolph Mondientz and his theatrical career

According to her death certificate, Caroline Beringer was born in Frankfurt. Dying in 1896, aged 38, she was born in approximately 1857. Her parents were listed as Adolf Mondientz, painter, and Charlotte Volker.

I have not yet been able to find a birth record for Caroline, nor a marriage record for her parents. However, FamilySearch has two possible records for siblings of Caroline's: Johann Ludwig Mandientz was born to Adolph Mandientz and Charlotte Eufemia Arnoldine Voelke in 1849, and christened in 1850 in Iserlohn, Westfalen, Preussen, Germany, and Adolphine Franciska Mordientz was born to Adolph Mordientz and Charlotte Euphemia Arnoldine Voelker in 1848, and christened in 1848, in the Evangelical church in Cleve, Rheinland, Prussia.

Ignoring the different spelling of names, which could be explained by illiteracy or transcription errors, I wasn't at all sure if this really was all the same family, because of the vastly different locations across Germany - Frankfurt, Iserlohn and Cleve aren't really close to each other, and I generally assume that in those days people didn't move around too much, considering there were no cars, and getting around took a lot longer than it would now. I had to find something that suggested that the family might have moved around a lot. The best way to find that needle in a haystack was to find out all that I could on the family.

I searched FamilySearch for all the German records I could possibly find on the Mondientz and Volker/Voelke/Voelker families, using wildcards and every possible name variation I could think of. I stay away from the user submitted genealogies on FamilySearch because I never know what those users have based their records on - I need concrete evidence, not hearsay. Here's what I found:

Surname Christian name(s) Event date Father Mother Place of event
MONDIENTZ Louise Emily born 10 Dec 1865, christened 13 Dec 1865 Adolph MONDIENTZ Anna Catharina GEURTS Crefeld, Rheinland, Preussen, Germany
MONDIENTZ Friedrich marriage to Frieda KONCZEK, 11 Apr 1916 (born on 15 Feb 1892, Crefeld) Georg Friedrich MONDIENTZ Auguste PUNGS Evangelisch (Militärgemeinde), Freiburg Breisgau, Freiburg, Baden
MANDIENTZ Johann Ludwig born 28 Dec 1849, christened 12 Jan 1850 Adolph MANDIENTZ Charlotte Eufemia Arnoldine VOELKE Iserlohn, Westfalen, Preussen, Germany
MORDIENTZ Adolphine Franciska born 22 Sep 1848, christened 10 Oct 1848 Adolph MORDIENTZ Charlotte Euphemia Arnoldine VOELKER Evangelisch, Cleve, Rheinland, Prussia
VÖLKER Gottlieb marriage to Anna Barbara BECHTTOLD, 11 Jan 1875 (born on 11 Jun 1844, Cleve, Westfahlen, Germany) none listed Charlotte Euphrosine Arnoldine VÖLKER Frankfurt (Main), Hessen-Nassau, Preußen, Germany

So what can we surmise from that? Adolph and Charlotte had at least three children together - Adolphine Franciska, Johann Ludwig and Caroline Mathilda. Charlotte had a child, Gottlieb, before she married Adolph, possibly as a single mother, or perhaps Adolph was the father but just not listed because they weren't yet married. If I could see the original record for Gottlieb's birth it might have an annotation on who the father was thought to be - I've seen that before. Of course, because I am in Europe, I can't actually get access to the microfilms of the originals through the Church of the Latter Day Saints, but would probably have to find which archives the actual originals are held in and travel there to see them. As for Friedrich Mondientz and Louise Emily Mondientz, I needed more evidence to connect them to my Mondientz family.

Google was the next step. A google search of Mondientz brings up many listings of people currently alive with the surname Mondientz, but I needed historical records, and the best option for that is Google Books. And Google Books revealed some listings for an Adolph Mondientz who worked in the theatre in Germany. I decided summarise the information I found, interlinked with the known events for my Adolph Mondientz, to see if they matched up at all:

Year Place Event Source
1848 Mühlheim a. d. Ruhr Hr. Mondientz: Dekorationsmaler und Theatremeister.
As a performer: Mondientz, Väter, Intriguants und Charakterrollen.
Almanach für Freunde der Schauspielkunst auf das Jahr 1848, Volume 12
Sept 1848 Cleve, Rheinland, Prussia Birth of daughter Adolphine Franciska FamilySearch
Dec 1849 Iserlohn, Westfalen, Preussen, Germany Birth of son Johann Ludwig FamilySearch
1850 Dortmund Hr. Mondientz: Inspicient und Dekorationsmaler.
As a performer: Mondientz, chargirte Rollen, Väter.
Almanach für Freunde der Schauspielkunst auf das Jahr 1850
1856 Cleve and Arnheim As a performer: Mondientz, Väter und Bariton-parthieen. A. Heinrich's Deutscher Bühnen-Almanach, Volume 20
1857 Coblenz Hr. Mondientz: Inspicient.
As a performer: Mondientz, bedeutende Aushülfsrollen.
Deutscher Bühnen-Almanach, Volume 21
about 1857 Frankfurt Birth of daughter Caroline Mathilda Caroline's death certificate
1859 Offenbach Hr. Mondientz: Inspicient.
As a performer: Mondientz, Komische Charakterrollen, Intriguants.
Deutscher Bühnen-Almanach
1860 Düsseldorf Hr. Mondientz: Souffleur der Oper.
As a performer: Mondientz, zweite Väter und chargierte Rollen.
Deutscher Bühnen-Almanach, Volume 24
1861 Düsseldorf Hr. Mondientz: Inspicient des Schauspiels.
As a performer: Mondientz, zweite Väter.
A. Heinrich's deutscher Bühnen-Almanach, Volume 25
1862 Crefeld Hr. Mondientz: Inspicient.
As a performer: Mondientz, Väter und chargirte Rollen.
Kinderrollen: Marie Mondientz.
Deutscher Bühnenalmanach, Volume 26
1864 Crefeld Hr. Mondientz: Inspicient, Dekorationsmaler.
As a performer: Adolph Mondientz, Väter und chargirte Rollen.
Kinderrollen: Fanny und Emma Mondientz.
Deutscher Bühnen-Almanach, Volume 28
1865 Crefeld Hr. Mondientz: Inspicient, Dekorationsmaler.
As a performer: Mondientz, alte Diener.
Kinderrollen: Fanny und Emma Mondientz.
Deutscher Bühnen-Almanach, Volume 29
Dec 1865 Crefeld Birth of Louise Emily Mondientz - I don't know that she's actually a relation, but the place fits... perhaps Adolph had been widowed and then remarried and this was another daughter? FamilySearch
1866 Crefeld Mondientz, Inspicient. Ferdinand Roeder's Theater-Kalender

So, this would explain why his known children were all born in different places. Not sure why he moved so much though - unless he had itchy feet!

Caroline's death certificate said that her father was a painter. Was this his day job, and theatre was his hobby? A hobby in which he could use his skills from work, as a dekorationsmaler (decoration painter)? And who were Marie, Fanny and Emma Mondientz? Were they his daughters? Younger sisters? Nieces?

Searching through Google Books, I found one other useful item, in the "Intelligenz-Blatt der freien Stadt Frankfurt, Part 4", p.1346:

Der Unterzeichnete fühlt sich gedrungen, allen Denen, die ihm ihre Theilnahme bei dem Trauerfalle, der ihn betroffen, auf so wahrhaft menschenfreundliche Weise beweisen, insbesondere auch den resp. Mitgliedern des Frankfurter Stadttheaters seinen herzlichsten, tiefgefülhtesten Dank auszusprechen.
Bockenheim, im Oct 1858.
A. Mondientz, Mitglied des Bockenheimer Sommertheaters.
Roughly translated, this Mr A. Mondientz from the Bockenheim Summer Theatre is offering his heartfelt thanks and appreciation shown to him on his recent bereavement, particularly by the members of the Frankfurt City Theatre. Who died? I am guessing it was his wife Caroline. This would then fit with Adolph remarrying (to Anna Catharine Geurts) and having another daughter, Louise Emily, whilst working in Crefeld in 1865.

So, if we assume this is my Adolph Mondientz, and I think there is enough circumstantial evidence to make a case for it, it is interesting that Adolph's grandson (via his daughter Caroline Matilda), George Augustus Beringer, was in the silent movies in America, although he went by the name of André de Beranger. It always seemed an occupation quite unlike any of his other relatives, until we learn of his Grandfather Mondientz's apparent passion for the theatre, and then it doesn't seem nearly so unusual.

22 October 2014

The portrait of Gaspard Weiss and family

The Musée Historique in Mulhouse has a portrait of Gaspard Weiss, his wife Marie, and their eldest child, Charlotte. It is a pastel, and the family has always believed it to be by Sir Joshua Reynolds, the celebrated English portrait painter. I've never been sure of this - the portrait is unsigned, and it is done in pastels, which Reynolds did not usually use.

I decided to do a bit of research to see if I could come up with an informed opinion on the likelihood of it being by Sir Joshua Reynolds, though I'm by no means an art historian!

The portrait is below. I have no access to the full artwork in colour, so I'm showing the available partial colour one (from the CD of Weiss's music), plus a black and white image of the full portrait.

According to information on the back of the frame the portrait is thought to have been painted in England in about 1777. Charlotte, the daughter in the photo, was born in June 1776 - the child in the artwork would definitely be around 1 or 2 years old (though how they managed to get her to sit still for a portrait is beyond me!) which fits well with that date.

Would Gaspard Weiss have moved in circles which might have allowed him to sit for a portrait with such a well known artist? In a word, yes. Weiss had patrons, students and acquaintances who would have had contact with Reynolds. Through Lord Abingdon, who was one of his students, he became acquainted with Lord Cholmondeley (who also became a student) and Lord Wentworth. Weiss dedicated flute compositions to all three of these men. Reynolds had painted Lord Cholmondeley as well as portraits of members of both Lord Cholmondeley's and Lord Wenthworth's families. Additionally, Angelika Kauffmann, who had bewitched Weiss in his younger years, became very good friends with Sir Joshua Reynolds upon her arrival in London. It is possible that any of these people could have made an introduction for Weiss with Sir Joshua Reynolds.

Did Reynolds actually use pastels? Jeffares in his Dictionary of Pastellists before 1800 (Online edition) observes that Reynolds did not seem to like using pastels, but then goes on to give details of his pastel works, though many of them appear to have been studies for oil artworks. The only image of a Reynolds pastel that I can find online is Head and Bust of a Woman (see below), held by the National Gallery of Art, Washington D.C., which in comparison is a very simple work, though it happens to be done in similar colours to the portrait of the Weiss family. Comparing the two, it certainly isn't inconceivable that the same artist might have done both - there is something about the way the eyes are worked that is quite similar.

To compare other artworks of Sir Joshua Reynolds completed around the same time, there are a lot more options to consider.

Reynolds' portrait of Charlotte Grenville, wife of Sir Watkins Williams Wynn and her children (above), held by the National Museum Cardiff, is an oil, completed around 1778. It shows Lady Charlotte reclining with a book, while three of her children play at her feet. Lady Charlotte and Marie Weiss share a similar bored, unseeing gaze (to my mind anyway), and even their profiles appear similar. There is drapery hanging from the lefthand side in both paintings also.

The above portrait The Strawberry Girl, from The Wallace Collection, is an oil completed around 1772-3. While the overall tone of the painting is a lot darker than the Weiss family portrait, the lighting on the actual subject is similar - how the shadows fall etc.

Diana Sackville is an oil, completed in 1777, held by the Henry E Huntington Art Gallery. Despite the completely different background for the two paintings, the colour palettes are similar, as is the lighting.

So I've picked out some of Reynolds' paintings which definitely show some similarities, but it wouldn't be a proper assessment if I didn't compare the Weiss family portrait with the work of some of Reynold's contemporaries. I chosen the major portraitists of the day, including Thomas Gainsborough, Sir Thomas Lawrence and George Romney. George Romney wasn't working in pastels during the period the Weiss family portrait was painted, so we can count him out straight away. Thomas Gainsborough did use pastels, but most of his pastel works have not survived as he apparently didn't fix them.

Gainsborough's pastel portrait of Caroline, 4th Duchess of Marlborough, completed in the 1780s, while beautiful, is of a completely different style to Reynolds' Weiss family portrait. It is done much more in the style of a sketch drawing rather than a painting, with quite a bit of hatching. The colour palette is also very different, with the duchess being rendered in a very white/grey palette, giving her an almost ghostlike appearance.

Sir Thomas Lawrence's pastel portrait of Dr Banks Esq, completed in 1784 is also a very different style to that of Reynolds', and to be honest, is much more amateurish - Lawrence was quite young still in 1784.

So, although it is not an entirely comprehensive study of English portrait painters in the 1800s, I am quite content to consider that the pastel portrait of Gaspard Weiss, his wife Marie, and their infant daughter Charlotte was actually done by Sir Joshua Reynolds. If you are more of an expert on these things than me I'd love to hear your opinion!

12 October 2014

I've moved...

Things have been a bit quiet here for sometime, but there's a really good reason for that. We've moved. To another country. On the other side of the world. 

We've moved from my beloved Sydney to a small country town in Germany! No, I don't speak German, but I'm learning, and being immersed in the language now will help. 

We moved here for my husband's work. It's all very exciting and daunting, but there's been so much organising and packing and stuff to do that my family history research had to go on the back burner.

So, I'm not sure what moving here will mean for my family history research. I'm no longer able to visit Australian archives, but we're also quite close to some important places from my family history - the closest being Mulhouse in France, where my Weiss ancestors are from. I can't wait to take a trip over there to visit the Mulhouse city archives and have a dig around for information on Gaspard Weiss and his relatives. 

I'd also love to visit the part of the Rhein Valley where my Beringer ancestors are from, close to Frankfurt and Weisbaden. 

I'm not sure that we will have much opportunity to travel to the UK at all, but if we do, I would love to spend days in the UK archives. 

So that's what's been happening with me, and we'll see how I go with my family history research here!

02 September 2014

Some useful French websites for Family History

I have a little bit of French ancestry, so I have done a bit of digging in French genealogical resources. And I want to make it clear right now: I do not understand French, but have been generally able to navigate these websites, with the help of Google Translator. So if I can do it, anyone can!

Firstly, here are some French words that may be helpful as you research French family history:

French English French English
Town Hall

The websites you might find useful will depend on where your French ancestors lived. Mine were from Haut Rhin (Upper Rhine), Alsace, and also from Paris, so that's what I'll be focusing on here.

The most useful online genealogical resource for Paris that I have found is the Archives Numérisées de Paris - the Paris Archives. The Paris archives have three sections of material - the État civil de Paris, civil vital records for Paris, (mostly 1860-1902), Sources Généalogiques Complémentaires, additional complementary resources, such as military records (1875-1921) and children assisted by the Seine (1742-1913), and Documents Iconographiques, maps (nineteenth century) and photographs related to urban planning (1860-1940). Of these records I have made the most use of the État civil de Paris. These records have tables of decades for each category of vital record - births/marriages/deaths, and then also the individual records themselves, which are listed in chronological order. The biggest problem is that you need to know which district to look in, though if you are patient, you could try all 20 districts! Use the decade tables to find the exact date of the event, and then look for the actual record itself. Below is a excerpt from the 1873-1882 marriage table for the 17th arrondissement (district) of Paris:

Taking the record for Salomé Weiss (no known relation to my Weiss family), from 4 November 1873, this is what it looks like:

This is where, if you don't understand French, it becomes slow and painstaking/painful as you transcribe it and run it through Google Translator! The record gives details of the groom, his occupation, his age, where he's from, his parents, the bride, her age, where she's from, her parents, etc. and then also lists a number of witnesses (if you're lucky some of them are identified as relatives) and then their signatures, along with the mayor - it's a civil record after all. These records can contain a wealth of useful information! Here's some of it in a bit more detail:

Haut Rhin (Upper Rhine)
The most useful online genealogical resource for Haut Rhin is Archives Départementales du Haut-Rhin - the Departmental Archives of the Upper Rhine. If you go to the Services section, there are four different types of record you can search: the Ancient and Modern Archives (Archives anciennes et modernes), the Contemporary Archives (Archives contemporaines), Postcards (Cartes postales), and Vital records (Actes d'état civil). Although there is a chance you might find something of interest in the first three sections, you'll most likely get the most useful information from the vital records. You can choose the place to search, and then search the decade tables or births, marriages, deaths, publication of marriages, or a register of the names of Jews. The information is quite similar to what you get in the Paris archives.

There are quite likely plenty of regional archives across France which hold similar records available to access online, but this is just a taster of the ones I have used.

14 July 2014

The character of Auguste Naudin

I have written about Auguste Naudin (Augustus Theophile Naudin) before - he was the first husband of my 2x great grandmother Frances Turnbull. However I've been doing some more digging on him, and have uncovered a new source of information on him - the notes from a voyage of the Allier, a French steam ship taking troops from France to New Caledonia in 1878-9. After stopping in at Java along the way, people aboard the ship started coming down with some kind of illness (malaria/typhoid/smallpox) with 21 deaths occurring before they reached Cooktown, Queensland on 9 Feb 1879. The captain of the ship begged to be allowed to stop in at Cooktown, so they were allowed to stay on the north shore where there had previously been a quarantine station. The ship stayed there for several weeks until the quarantine was lifted and they were able to continue on to New Caledonia.

Notes on the voyage written by C. Milleret, entitled "Une Épidémie a Bord" were published in La Revue Hebdomadaire in June 1895.
"Vendredi 14 fevrier. En même temps que les provisions est arrivé à bord un particulier mal vêtu, autorisé, comme représentant de la municipalité cooktownaise, à s'installer chez nous en qualité de "surveillant". C'est un Français nommé Naudin. Ses fonctions sont d'une utilité contestable. Je ne nous vois pas essayant de forcer l'entrée de la rivière ou allant nous promener à terre incognito. Il y a un dessous, Naudin est un pauvre diable venu en Australie pour y chercher fortune. Après avoir tenté d'infructueuses expéditions en Nouvelle-Guinée, essayé plusieurs métiers confinant, je le crains, à la traite ou à la piraterie, il s'est échoué à Cooktown où il meurt de faim, peu s'en faut. Pour lui trouver une occupation, en même temps qu'un salaire lucratif et ne coûtant rien à la bourse des contribuables australiens, on n'a rien imaginé de mieux que cette place de surveillant dont les émoluments demeurent, comme de juste, à la charge des surveillés. Tout le temps de la quarantaine, Naudin sera nourri à la table du carré et recevra, au compte du gouvernement français, une demi-livre ou 12 fr. 50 par jour." pp.101-2.
Roughly translated (and no, I don't speak French, so its quite rough and possibly inaccurate - I welcome suggestions) this says that Naudin arrived, badly dressed, with provisions, as the authorised supervisor of the quarantine. They weren't at all sure that he'd be of much use to them - "of questionable usefulness". He was a Frenchman, who came to Australia to seek his fortune, and after trying some unsuccessful expeditions to New Guinea, where he tried several jobs, bordering - they feared - on trafficking and piracy, at which he failed, he returned to Cooktown, nearly dead from hunger. So that he wasn't employed at the expense of Australian taxpayers they gave him this job of supervisor of the quarantined, fed and paid for by the French government, at a half a pound or 12 francs 50 per day. Much of the narration doesn't mention Naudin, but the entry on Monday March 10th was a gem:
"Ce Naudin est un vrai type. Sur ses nouveaux appointements, il s'est fait envoyer toute une garde-robe. Ce n'est pas trop tôt. Il a usé toutes nos vieilles culottes. Si le quart de ce qu'il nous raconte est vrai, ses mémoires auraient du succès. Quelle mine pour Boussenard ou Jules Verne!" p.239.
The rough translation: "This Naudin's a real dude. On his new salary, he is getting an entire new wardrobe - not before time though - he's used all our old pants. If a quarter of what he says is true, his memoirs would be very successful. What a wealth of material for someone like Boussenard or Jules Verne!" And, at the end of the period of quarantine on March 18:
"La garde de police qui surveillait le camp est levée... Naudin aussi est licencié, "pour cause de suppression d'emploi". Sans rancune, nous lui offrons de conserver son couvert au carré jusqu'au départ définitif; avec empressement il accepte." p.240.
Translation: The police who guarded the camp have finished up. Naudin was also dismissed because of job cuts. There were no hard feelings, they offered to pay him until they departed, and he eagerly accepted.

Perhaps its a little harsh but Naudin comes across as a badly dressed fast-talker, full of stories, always out to make a buck. It's worth noting that he had previously been married, in NSW, to Charlotte McMunn, and left her with their three young children, to follow the gold rush to Queensland. He never returned, never divorced Charlotte, and then married his second wife Bridget Murry (also known as Frances) on 14 February 1877, with their first child born in December that year. Which means that it is quite likely Naudin was off galavanting around New Guinea looking to make his fortune while his poor wives were at home with their children, waiting for him. And again, while he was off supervising the quarantined Allier at the expense of the French government. Of course, it must be said that this was probably the norm for the time. I get the impression he was looking for adventure and didn't like being tied down to one place or family for too long. So that's a little bit more about Augustus Theophile Naudin and his character. 

10 July 2014

Finding Thomas J Thompson

Thomas J Thompson was married to Mary Ann Wilkey, the sister of my great grandfather, James Arthur Wilkey. Mary Ann was born in 1864 in Canterbury, married Thomas in Burrowa (Boorowa) in 1885, and died on 29 April 1937 in Bankstown. They had seven children (I think), and lived in Railway Parade, Thornleigh in 1906 when their eldest daughter Ada died, aged 20 (SMH, 23 July 1906).

Apart from knowing where he was married, and where they lived when Ada died, I could find nothing on Mary Ann Wilkey's husband Thomas J Thompson. Nothing on his birth, no date of death, nor where he was buried - he wasn't buried with Mary Ann, who was buried at Rookwood Cemetery with her parents, John and Mary Ann Wilkey. I suspected from family death/funeral notices, including his own wife's, that he had died before her, but had no actual proof.

I searched and searched. I didn't know what he did for work, so that didn't help. Days later, it suddenly occurred to me that I knew that Thomas and Mary Ann's daughter Ada was buried in Rookwood as well - perhaps if he wasn't buried with his wife then maybe he was buried with his daughter. BINGO!

Thomas John Thompson was buried in the Methodist section of Rookwood Cemetery, with his daughter Ada May. He was interred on 1 July 1911, and the record notes he was 49 years old. From his date of interment I could look more accurately for a death record, and from his age at death I knew he was born in about 1862. I was completely unprepared for what I found in Trove (Barrier Miner, 1 July 1911):

An utter tragedy, compounded by the fact that Mary Ann's own father, John Wilkey, had died earlier that year (15 Jan 1911), and one of her brothers, James Arthur Wilkey, had been killed in another freak accident four years earlier. I can imagine Mary Ann at home, getting dinner ready, waiting for Thomas to get home from work, the time getting later and later, until there was a knock at the door...

However, putting aside the awful story of Thomas' death, I also learnt that Thomas was born in Victoria and was a bricklayer. I don't know if he was a bricklayer all his life, or just did different labouring jobs over the years. I've had a brief look at the Victorian BDM, but there's a few candidates that could be Thomas' birth (though only as Thomas Thompson - there's no Thomas J or Thomas John Thompson in the right range of years). I'm too cheap to go looking through them all, and I'm not sure I'd be able to work out which one he was anyway.

So that's a little about Thomas John Thompson. Not much, but more than I knew before.